Niamh NicGhabhann Coleman finds a shared concern with pushing against rigid and harmful boundaries and barriers around identity amongst this year’s graduates
Kilmainham, the Liberties and Pimlico were the areas of Dublin that Seamus O’Colmain preserved in his evocative and atmospheric paintings, writes John P O’Sullivan
Aidan Dunne talks to Ailbhe Ní Bhriain, in whose new exhibition period images are spliced together in vistas of subterranean worlds
The honesty and intimacy of photographer Bill Kirk’s social perspective invites engagement and reflection on the changing post-Troubles landscape, writes Stephanie McBride
Rathfarnham Castle is one of the most extraordinary buildings in the story of architecture in Ireland, writes Tadhg O’Keeffe
The exhibition treats the archive as a tool for building new futures, writes Seán Kissane
The New Generation Gallery is now in its tenth year and aims to support the work of all BA and MA graduating students in Ireland as they take their next step in their artistic career. This is a unique initiative that provides a free platform for the work of all BA and MA graduating students in Ireland, working in painting, fashion, film, ceramics, design, print, sculpture, animation, photography, architecture, and visual communications from colleges across the country.
In a tribute to the artist Jonathan Wade (1941–1973), Dublin City Council has mounted a commemorative blue plaque on the Wade family home at 2 Walkinstown Avenue, Dublin 12.
The International Centre for the Image, opened in July in the North Wall district of Dublin at Coopers Cross, is a cultural partnership between PhotoIreland and the international investment company Kennedy Wilson.
Two aspects of the curation at this year’s vibrant 195th Royal Hibernian Academy (RHA) Annual Exhibition stood out.
The 2023/2024 Irish Arts Review Price Guide to Irish Art Sales is available now!
In association with
The Irish Arts Review is Ireland’s flagship cultural publication.
